L’Oréal Voluminous Panorama Mascara FOOH
L’Oréal Voluminous Panorama Mascara FOOH
L’Oréal Voluminous Panorama Mascara FOOH
( Info )
( Info )
( Info )
A cross-border FOOH campaign for L’Oréal’s Voluminous Panorama Waterproof Mascara, turning two iconic landmarks—Petronas Twin Towers (KLCC) and Gardens by the Bay Supertree—into premium CGI product transformations built for social virality.
A cross-border FOOH campaign for L’Oréal’s Voluminous Panorama Waterproof Mascara, turning two iconic landmarks—Petronas Twin Towers (KLCC) and Gardens by the Bay Supertree—into premium CGI product transformations built for social virality.
A cross-border FOOH campaign for L’Oréal’s Voluminous Panorama Waterproof Mascara, turning two iconic landmarks—Petronas Twin Towers (KLCC) and Gardens by the Bay Supertree—into premium CGI product transformations built for social virality.
A cross-border FOOH campaign for L’Oréal’s Voluminous Panorama Waterproof Mascara, turning two iconic landmarks—Petronas Twin Towers (KLCC) and Gardens by the Bay Supertree—into premium CGI product transformations built for social virality.


( Details )
( Details )
( Details )
Client
Client
Client
L’Oréal
L’Oréal
L’Oréal
Service
Services
Service
Year
Year
Year
2024
2024
2024
( Overview )
( Overview )
( Overview )
L’Oréal Paris launched the Voluminous Panorama Waterproof Mascara with a clear ambition: create a visual moment that feels impossible to ignore. Instead of a conventional product demo, the brand leaned into Fake-Out-of-Home (FOOH)—a format designed to dominate scroll behavior by blending real locations with cinematic CGI. 3D Advertisers developed two hero executions set in Malaysia and Singapore. In Kuala Lumpur, the mascara integrates with the Petronas Twin Towers (KLCC); in Singapore, it transforms the iconic Gardens by the Bay Supertree. The campaign used landmark-scale storytelling to communicate the product’s “panorama” effect—bold, high-impact, and instantly recognizable in a single glance.
L’Oréal Paris launched the Voluminous Panorama Waterproof Mascara with a clear ambition: create a visual moment that feels impossible to ignore. Instead of a conventional product demo, the brand leaned into Fake-Out-of-Home (FOOH)—a format designed to dominate scroll behavior by blending real locations with cinematic CGI. 3D Advertisers developed two hero executions set in Malaysia and Singapore. In Kuala Lumpur, the mascara integrates with the Petronas Twin Towers (KLCC); in Singapore, it transforms the iconic Gardens by the Bay Supertree. The campaign used landmark-scale storytelling to communicate the product’s “panorama” effect—bold, high-impact, and instantly recognizable in a single glance.
WHEN BEAUTY GOES BIG-LANDMARKS BECOME THE PRODUCT
WHEN BEAUTY GOES BIG-LANDMARKS BECOME THE PRODUCT
WHEN BEAUTY GOES BIG-LANDMARKS BECOME THE PRODUCT
WHEN BEAUTY GOES BIG-LANDMARKS BECOME THE PRODUCT
( Insights )
( Insights )
( Insights )
FOOH only works when it feels real enough to debate. For L’Oréal, the objective wasn’t just attention—it was premium believability. The product needed to remain the hero while the locations amplified the scale. That meant avoiding “CGI spectacle for spectacle’s sake” and instead engineering the transformations with strong realism cues: correct perspective, accurate shadows, consistent reflections, and smooth motion behavior. Shooting across two countries introduced additional complexity—different light conditions, environmental variables, and crowd realities—so the pipeline had to be robust, flexible, and tightly managed.
FOOH only works when it feels real enough to debate. For L’Oréal, the objective wasn’t just attention—it was premium believability. The product needed to remain the hero while the locations amplified the scale. That meant avoiding “CGI spectacle for spectacle’s sake” and instead engineering the transformations with strong realism cues: correct perspective, accurate shadows, consistent reflections, and smooth motion behavior. Shooting across two countries introduced additional complexity—different light conditions, environmental variables, and crowd realities—so the pipeline had to be robust, flexible, and tightly managed.
( Credits )
( Credits )
( Credits )
Project Lead
Project Lead
Project Lead
Project Lead
Hamim Rosidi
Hamim Rosidi
Hamim Rosidi
Hamim Rosidi
Creative Lead
Creative Lead
Services
Creative Lead
Hamim Rosidi
Hamim Rosidi
Hamim Rosidi
Hamim Rosidi
Techinical Lead
Techinical Lead
Techinical Lead
Techinical Lead
Ilyas Sofian
Ilyas Sofian
Ilyas Sofian
Ilyas Sofian
3D / VFX Artist
3D / VFX Artist
3D / VFX Artist
3D / VFX Artist
Hamim Rosidi & Ilyas Sofian
Hamim Rosidi & Ilyas Sofian
Hamim Rosidi & Ilyas Sofian
Hamim Rosidi & Ilyas Sofian





